New Netflix Film Delves into Argentina’s Fascination with UFOs
Netflix’s new Argentine film The Man Who Loved UFOs explores the life of José de Zer, the journalist behind Argentina’s most iconic alien sighting. Premiering October 18, 2024, it will participate in the Official Competition at the San Sebastian Film Festival.
Netflix’s upcoming Argentine film The Man Who Loved UFOs stars Leonardo Sbaraglia and explores the life of 1980s journalist José de Zer, the man behind one of Argentina’s most famous alien sightings. The film will debut at the 72nd San Sebastian Film Festival and premiere globally on Netflix on October 18, 2024. The story promises an intriguing exploration of Argentina’s fascination with UFOs, backed by a stellar cast and beautiful filming locations across the country.
Netflix has released the official trailer for its latest Argentine film, The Man Who Loved UFOs, set to premiere globally on October 18, 2024. Directed by acclaimed filmmakers and starring renowned Argentine actor Leonardo Sbaraglia, the film delves into the life of José de Zer, a prominent journalist from the 1980s. De Zer is best known for his groundbreaking work in creating Argentina’s most memorable alien phenomenon, which captivated national television audiences.
This highly anticipated film will also compete in the Official Competition at the 72nd San Sebastian Film Festival, scheduled from September 20 to 28, 2024. Select theaters across Argentina will screen the movie ahead of its Netflix release, adding to the growing excitement.
Exploring an Iconic Argentine Story
The Man Who Loved UFOs draws inspiration from the real-life experiences of José de Zer, a fearless entertainment journalist who became a household name for his work in popularizing UFO sightings. The film is set in various scenic locations across Córdoba, San Luis, Mendoza, and Buenos Aires, showcasing the breathtaking landscapes of Argentina while telling the story of an unforgettable chapter in its television history.
The plot follows de Zer, portrayed by Sbaraglia, as he embarks on a journey to investigate a mysterious circle that appeared on farmland in Córdoba. The story begins with a dubious invitation, leading de Zer and his trusted cameraman, Chango, into a small town to report on this strange occurrence. What unfolds is a whirlwind of intrigue, deception, and the creation of one of the most famous alien sightings in Argentine media.
Stellar Cast and Scenic Locations
The film features a stellar cast, with performances from notable Argentine actors including Sergio Prina, Osmar Núñez, Renata Lerman, María Merlino, Agustín Rittano, and Norman Briski. Special appearances by Daniel Aráoz and Mónica Ayos further enhance the film’s strong lineup. The cast’s talents bring life to a story that has fascinated Argentina for decades.
Filming took place in iconic Argentine regions, adding a layer of authenticity to the story. The film not only captures the essence of José de Zer’s legacy but also serves as a tribute to the enduring curiosity about extraterrestrial life that still resonates with people today.
A Festival Debut and Global Release
The 72nd San Sebastian Film Festival will mark the debut of The Man Who Loved UFOs on the international stage. Competing in the Official Competition is a testament to the film’s artistic merit and its potential to leave a lasting impression on both Argentine and global audiences. As one of Latin America’s most prestigious festivals, the inclusion of this film in its lineup signals its importance in contemporary Argentine cinema.
For those unable to catch the film at the festival or in theaters, the Netflix global release on October 18, 2024, offers a broader audience the chance to experience the story. With its engaging storyline and top-tier production quality, this film is set to become a standout addition to Netflix’s international catalog.
(Disclaimer: This article is a work of journalism based on publicly available information about Netflix’s new Argentine film The Man Who Loved UFOs. The content has been created to inform readers about the film’s release, storyline, and cultural significance. No proprietary information has been disclosed, and this article follows standard journalistic practices.)
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